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Showing posts with label Bon Jovi. Show all posts
Showing posts with label Bon Jovi. Show all posts

Sunday, November 15, 2020

2020: The Year Without Concerts

October 19, 2019. That's the date of the last concert I attended. Ana Marie and I flew down to Vegas to see Journey during their residency at Caesar's Palace. It was a fun quick trip and an enjoyable show. I didn't expect I wouldn't be attending another concert for over a year.

I went to my first concert in September 1985 and this blog notes concerts I've attended since 1998. While some years between 1998 and now have had fewer concerts than others, there was always at least one or two. I imagine sometime in that 1985-1998 time frame there was a year or two I didn't go to a concert -- I was in my late teens and twenties then, I didn't always have money for concerts or someone to go to a show with (something I wasn't really comfortable with until my late 20s/early 30s.) Still, that's a long time ago now, half my lifetime. I've spent most of my adult life attending a couple of concerts a year -- it's one of my primary leisure expenses and something I'm willing to budget in other areas to afford when needed.

No concerts in over a year. 

At the start of 2020, I had tickets already lined up for three shows -- Journey and Bon Jovi here in the Bay Area and Matchbox 20 in Vegas. I actually had tickets to TWO Journey shows in the Bay Area having mistakenly purchased tickets for their scheduled show at the Concord Pavilion. I was trying to sell those tickets as I don't go to shows in Concord any longer unless it's the only choice I have (and I've traveled to LA and Vegas on a weekend rather than drive to Concord on a weeknight to see a show I want to see.) That's about the only good thing that's come out of having everything canceled due to a global pandemic -- I got that show refunded.

Hell, I got all my shows refunded. The Journey & Bon Jovi shows were scheduled for May and June, and when the shelter in place orders took effect here in the Bay Area in mid-March, I expected they'd likely be postponed at the least. Since the Journey shows were at outdoor venues, I gave them a higher chance of being canceled since postponing for say six months would mean having to find a different venue. When the shows were canceled, I wasn't surprised, but at least I still had the Matchbox 20 show to look forward to in September. Surely by September things would be back to normal.

As the months progressed it became clear that things would not be back to normal by September and that tour was rescheduled, this time with out the Vegas date, so there went the last show I had on the calendar. I don't know when I'll get to go to another one. There have been some smaller open-air venues that have had shows, and there have been "drive-in" concerts where you can go see live music in a parking lot in your car. I've not done any of those for several reasons, but the primary one being I don't feel safe doing so. I'm relatively healthy and would hopefully be OK should I catch COVID-19, but I don't want to risk exposing my parents who I try to see once a month these days. They're older and more vulnerable. I'm also on the list of employees who can go into my office. In my case, it's largely to escape an apartment that is too hot in the summer and too cold in the winter. I have co-workers who can only do their work in their labs, and having the building shut down because of a potential exposure would be harmful to their work and deadlines. So I continue to limit where I go and what I do and who I see in hopes that someday soon we can get back to a more familiar routine of work and social lives.

It's mid-November now and the pandemic is still raging with cases spiking not just in the US, but world wide. Shows that have been pushed from 2020 into 2021 are still on the calendar, but I'm doubtful many will happen before about June. There are signs a vaccine may be ready soon, which is really amazing and a tribute to the scientists working on them, but realistically getting the vaccine widely distributed is going to take time. It's going to take longer for people to get fully inoculated, and that's if everyone actually does get vaccinated. With all of the politicization that has gone on around this public health issue there will be people who will refuse to get the vaccine -- either they are part of the anti-vaccine crowd or they are distrustful of the vaccine because of their political beliefs. It makes everyone less safe, and it will just make it that much longer before there is protection from this deadly virus. Even if everything goes well with the vaccine and it's distributed wider and faster than expected, I still suspect venues will limit their capacity or have their capacity limited by local public health officials. That will make tickets harder to come by.

So, will I go? That's the next question. When will I go to a show? What is my comfort level? Right now, I don't know. I doubt I will travel outside of the Bay Area for a show anytime soon. We've had some of the strictest health orders in the country which has so far kept the virus somewhat under control and as cases start rising again the heath orders are quickly tightening up again. While it's extremely frustrating that after eight months we're still having such restrictions in place, I also find that I feel safer knowing that our local public health officials and political leaders are willing to make the tough and sometimes unpopular choices to try to protect the lives of our communities. So if local restrictions are loosened enough to allow large events by next summer, I will probably try to find an opportunity to get to a local show. I feel less confident about other areas of the country, including other parts of California. I'm not sure how comfortable I'd be getting on a plane either, so any travels would be limited to where I could get easily by car. Still, the future is uncertain and unclear, so perhaps I won't be as hesitant as I am now.

But I miss concerts.

Long time readers will note that I rarely say I didn't enjoy a show, and that's because I rarely have. Sure some concerts are better than others, but for the most part what I get out of seeing live performances is more than just the show. When I'm at a show I will often close my eyes while I'm listening to the music. This seems a bit odd I'm sure since aren't I there to SEE my favorite performers a in person?  Well, yes, but it's more than that. I'm also there to FEEL the music, to feel the beat of the drums, the roar of the guitars, the energy of the crowd, to let all of that wash over me and take me to another place. There's a passion and emotion in live music that even the best recordings can't quite capture.

Back in June or so, as I was getting more and more stir-crazy from staying home for so long, I started thinking about the shows I'd like to see once they were allowed again. The fist thing that popped into my head was "God, I need a Springsteen show." More than anyone else I've ever seen, Bruce Springsteen shows are a celebration of life. Not long afterwards, he announced that he had a new album coming out in October. I've picked it up, and while it's themes are mostly about death and loss, it's also about celebrating life. Hopefully by this time next year he and the rest of the E Street Band will be back out on the road and feeding that energy they have to thousands of people. If so, I will be there -- I'll definitely need that feeling of "god it's great to be alive" I get whenever I see one of his shows.

Until then however, we wait. We wait for the spread to slow. We wait for a vaccine to become available and approved. We wait for it to be widely distributed. We wait for health orders to be loosened and lifted. We wait for venues to reopen. We wait for the joy, the camaraderie, the energy we find in live music.

Saturday, March 4, 2017

March 1, 2017: 2017 Kickoff Concert -- Bon Jovi

San Jose, CA
SAP Center
 

So my 2017 Concert Season kicked off last night with yet another trek down to San Jose to see Bon Jovi out in support of their new album This House Is Not For Sale. When the tickets first went on sale, it was a bit uncertain if I was going to go as I didn't have anyone to go with. While I've long since gotten over going to shows by myself, some shows are just more fun with friends.  Fortunately Emerson and Nicole decided to go a few weeks after the tickets first went on sale and were able to snag us some pretty decent seats right before Christmas.

Apparently Bon Jovi is hiring local acts to open for them around the country, and last night's show kicked off with a 20 minute set by Thadeus Gonzalez and his band from Oakland. They weren't exactly my thing -- a rather hard rock band that just bombarded my ears. Thank goodness Nicole had a spare pair of earplugs I was able to borrow or I don't know if I could have sat through their whole set. I'll just leave it at that it's pretty cool for Bon Jovi to bring on small local acts to their massive arena show and that it's nice to see that there are still some younger long hair rock bands out in the world!

Bon Jovi took the stage around 8:15 and opened up behind a curtain/screen thing that had the album cover projected on it which appeared after a fun video of "arriving" in San Jose. It was a pretty cool look.  They kicked off the show with "This House Is Not For Sale" and followed up with another new track before hitting "You Give Love a Bad Name." On my way into the show, I chatted with the people behind me in line (having gotten separated from Emerson, Nicole, and a few other friends), one of whom was a little boy about 9 or 10 years old. He was really excited since this was his first concert and he told me "My mom's been playing their music for me. I hope they play 'You Give Love a Bad Name', that's my favorite!" I told them they probably would, so I was happy for him that he got to hear it early in the set. I love it when kids get really excited about music!

The set list was filled with a lot of new tracks and several from Lost Highway which had me pleasantly surprised. I'm enjoying the new album, so didn't mind the set list being top heavy with new tunes. The crowd was generally into them too as people were on their feet for most of the show, but the set list probably could have been mixed up a little differently so there were more classic songs surrounding the newer ones. I think I've mentioned this before, but Jon Bon Jovi definitely studied at the School of Springsteen with the way he exhorts the audience to participate in the show and keeping the energy level up high enough to keep people on their feet for most of the night, even when playing mostly new material.  It's a skill not every performer has. And, as always, I do get a kick out of his whole "I AM A ROCK STAR!" shtick. He's well aware of his magnetism and works it for all he's got while also being aware that the audience knows that's what he's doing. I will say though it's still weird seeing him with grey hair. I've seen the DirecTV ads enough so it's not like it was some kind of shock and surprise, but damn it does make me feel old seeing Jon Bon Jovi with totally grey hair! (I do give him all kinds of kudos for it though -- there are a LOT of rock stars out there who really need to give up the bad dye jobs and just let it go!)

Keeping with the grey hair theme -- Jon seems to be feeling his age a bit these days, or maybe it was just due to his birthday coming up the following day. He gave a long introduction to "God Bless This Mess" that generally covered the ups and downs of 30 plus years in the limelight. While he didn't overtly mention Richie Sambora, he alluded to their long partnership and the good and bad times that came along with it. "God Bless This Mess" was followed by "Scars on This Guitar" and kept the world-weary feel. "Scars on This Guitar" is one of my favorite tracks from This House Is Not For Sale (just behind "Reunion" which I LOVE, but was not played at the show) and the slow ballad allowed fans to light up their phones for a field of stars. Jon commented on how cool the lights looked and said something to the effect of "back in my day it was lighters" (uh, Jon, your audience is in your peer-group, it was back in everyone's day!) at which point a few Bics were flicked and caused him to say "put those out, I'll get arrested!" Not in California you won't!

The set wound down with a bunch of the hits before the four song encore that included, of course, "Dead or Alive" and "Livin' on a Prayer." Having seen Bon Jovi on the last tour after Richie quit, it wasn't AS odd to not have him singing on "Dead or Alive" and the audience pretty much drowned out Phil X who handled Richie's usual vocal, but it was still a little weird. Actually, that's one thing I forgot to mention about the crowd -- wow whenever there was a sing along bit the crowd really took it. Good and loud.

Next road report -- coming to ya from the Rock & Roll Hall of Fame Induction Ceremonies in New York City! Woooo! (Okay, no, I'm not excited at all.  Nope, not one bit!)

Set list (courtesy of setlist.fm)

This House Is Not for Sale
Knockout
You Give Love a Bad Name
Lost Highway
Whole Lot of Leavin'
Roller Coaster
We Weren't Born to Follow
I'll Sleep When I'm Dead
We Got It Goin' On
Who Says You Can't Go Home
It's My Life
We Don't Run
God Bless This Mess
Scars on This Guitar
The Devil's in the Temple
Lay Your Hands on Me
Born to Be My Baby
Have a Nice Day
Bad Medicine
Keep the Faith

Encore:
Living with the Ghost
Because We Can
Wanted Dead or Alive
Livin' on a Prayer

Tuesday, February 23, 2010

February 22, 2010: Bombastic Bon Jovi

San Jose, CA
HP Pavilion

Guess concert season has officially begun... 2nd show in 7 days!

For someone who wasn't a huge Bon Jovi fan "back in the day", I sure have made up for lost time -- this has got to be the 5th or 6th time I've seen them in the last 10 years or so. They put on such a great show and really get the whole "arena rock" thing. Big. Bombastic.

So last night I headed out to San Jose to meet Leslie (woo hoo! my concert buddy is back in town!!! YAY!) and Emerson for a quick dinner before heading over to the arena for the show. We got to our seats in section 116 (pondering why we always wind up on the left side of the stage) which were right to the side of the stage. Pretty good. The opening act, Dashboard Confessional, hit the stage right at 7:30 -- just as we had finished getting settled in our seats. I know of Dashboard Confessional, but couldn't say I know any of their songs. That said, they were pretty entertaining and had a good opening 40 minute set. I may go pick up some of their stuff.

As we waited in anticipation of the show, the three women sitting in front of us turned around and warned "we might get a little nuts and will probably stand up all night." Works for me. While we waited I studied the stage -- a circle stage with a circle catwalk that brought to mind the U2 stage. Biggest difference between Bon Jovi stage and U2 stage... the seats inside the circle for U2 are General Admission and some of the least expensive tickets, Bon Jovi -- not so much. (We think they cost in the neighborhood of $500!)

But in the tradition of great bombast the band took the stage following an impressive video sequence on the big screens. They kicked off with "Blood on Blood" from New Jersey which was a nice change, then launched straight into "We Weren't Born to Follow" from the new CD. And here I had my second Bon Jovi as U2 moment (yeah, I know -- a little weird, stick with me.) The video screens for this song flashed images of various leaders and icons -- from Gandhi and JFK to Jimi Hendrix and Elvis. The whole "pioneer" leader set, and more socio-political types than rock pioneers. I know Jon Bon Jovi was particularly involved in President Obama's campaign, and there's a quasi-political theme to the song, but it's a little hard to put political consciousness and Bon Jovi together. Lingering bias from the '80s I guess.

The set list was a good mix of old and new (or perhaps old, recent, and new) and not having that life-long connection to the tunes I really enjoy some of the newer stuff that life-long fans aren't as enthusiastic about. I look at it this way -- these guys are in their late 40s/early 50s now, not their 20s, they're not going to have the same world view (hell, do YOU?) Throw in the difference between being rising/dominating stars in the '80s to an older/established band in 2010 and it's just a different vibe over all. I like the grown-up songs I guess. (Yes, I realize this is in contrast to the comments in the previous paragraph.)

So, the set included about half of the new album and it was intermixed well with older tunes. I've said it before, but Bon Jovi is one of the very few "classic" bands I've seen that really SELLS their new material. They go out and perform it with as much energy as the older stuff and EXPECT the crowd to sing along. There's just a cocky confidence about it.

The look of this show was pretty amazing as well. The video screens are REALLY sophisticated -- splitting, flipping, rotating. (Guess that's why there are $500 tickets! Those things can't be cheap!) And gave impressive images. The only weird bit I found was a screen that for most of the show sat behind and BELOW the stage -- I could see it from my seats above and to the side of the stage, but I have no idea how anyone on the floor or looking straight on at the stage could see it. Maybe it's supposed to be raised and couldn't for some reason, but seeing as there were seats behind the stage and that screen would have blocked those seats completely if it were raised, I don't think it was meant to go above the stage. A particularly excellent highlight was the lighting on "When We Were Beautiful" -- it looked like Jon was standing in a sunset. Simply gorgeous.

Other performance highlights included Richie taking the lead on "Homebound Train" and making it really bluesy -- just fabulous. That was followed by Jon coming out on the catwalk for the first time and just backed by David Bryan on keys performing a GREAT cover of the Leonard Cohen classic "Hallelujah". Absolutely beautiful. Shortly afterwards, Jon is joined by the rest of the band out on the catwalk for acoustic versions of "Something for the Pain" and "Someday I'll Be Saturday Night."

And, as always, there was the encore of "Wanted Dead or Alive" and "Livin' on a Prayer" -- they never fail.

Oh, and of course there were Jon's black leather pants. :-D

Set List:

Blood on Blood
We Weren't Born to Follow
You Give Love a Bad Name
Born to Be My Baby
Lost Highway
When We Were Beautiful
Superman Tonight
Keep the Faith
We Got It Goin' On
It's My Life
Homebound Train (Richie on vocals)
Hallelujah
Bed of Roses
Something for the Pain
Someday I'll Be Saturday Night
Work for the Working Man
Bad Medicine/Bad Case of Lovin' You
Who Says You Can't Go Home
Love's the Only Rule

Encore:
Thorn in My Side
Wanted Dead or Alive
Livin' on a Prayer

Sunday, April 6, 2008

April 2, 2008: Jersey Boys -- Night One

San Jose, CA
HP Pavilion

So, as my 2008 concert season commences and I've hit a brief busy stretch of shows and knowing it will be another 6 months until I will have an RRR for Journey, thought I'd share with y'all...

We'll begin with an admission... I came late to Bon Jovi fandom. I'll admit it -- I couldn't get past the hair. I thought they looked ridiculous (something, time has proved, I was right on) and all I could see was Jon and Richie with perm rods in their hair. As anyone who has ever gotten a perm can attest -- you look ridiculous sitting under a hair dryer with perm rods in your hair. And these were "tough guy" rockers, well you get the picture... It wasn't that I didn't find the songs catchy and entertaining, I just couldn't take them seriously. It wasn't until Keep The Faith came out (and they'd cut their hair and gotten rid of the perms and ridiculous clothing) that I actually purchased a Bon Jovi CD. Still, they were just a band that was in the collection of many many others, and I wasn't particularly dying to see them live. A few years ago now -- I'm guessing about 2000 when Crush came out -- they came through town on tour. I'd picked up the CD and liked it and Cheryl and I had one of those "I'll go if you wanna go" conversations and picked up a couple of tickets. WOW. We were sold -- great great show -- and since that time, I've caught this band of Jersey boys every time they've passed through town.

Leap forward in time to last Wednesday night in San Jose. I had dinner with Darla and Emerson and then headed over to the arena to meet Cheryl. We were all eager to arrive on time to catch Daughtry opening. While I'm not one who watches American Idol and Daughtry doesn't get played on the primary station I listen to, I'd heard a couple of songs and enjoyed them so I was curious. Loud rock and roll -- good for the soul. My familiarity with the songs being so minimal, I just sat back and took it in. For the first time in a very long time I was watching an opening band who will be around beyond next month and based on the fact that the arena was over half filled when they started and nearly full by the time they finished, I'm sure lots of other people felt the same way. While I'm not sure I'm going to run out and pick up the CD, I enjoyed the set.

So on to our headline act. When Lost Highway came out last summer, not only did I pick it up, but I had pre-ordered it so I could get it in my hot little hands the day it came out. Oh no -- Bon Jovi's gone country.... Yeah, right. I fell in love with the CD instantly -- it's the same themes with different instrumentation, softer acoustic instruments and a pedal steel. I was curious to see how the new tunes would fit in with their usually raucous set. Some songs worked better than others. "I Love This Town," for example, was a song I was sure would fit in fine, but they didn't kick it into full gear as I thought they might. It still sounded fantastic live, but it needed a bit more oomph to it I thought. (Though I did have to laugh as the video screens flashed through the logos of the various sports teams -- only Jon Bon Jovi would think to include the San Jose Sabercats, the local Arena Football team. They don't get a whole lot of attention.) But "Whole Lot of Leavin'" and "You Want to Make a Memory" worked well with some of the more familiar ballads, and "We Got It Goin' On" was just meant to be sung in front of 20,000 people (which excuses some of the seriously lame lyrics -- I mean "bangin' and sangin' like the Rolling Stones" -- really?) Like some other Jersey boys I saw last night (Bruce Springsteen & the E Street Band, stay tuned) Bon Jovi aren't afraid to throw in newer tunes among the old standards and SELL them to the audience so that the crowd stays on their feet and rocks out with the new music, even if they aren't as familiar with it as "Livin' on a Prayer."

A couple of highlights -- the intro to "Blaze of Glory" was a verse of "Knockin' on Heaven's Door" which is probably one of my all time favorite Dylan classics. That song got even better when Chris Daughtry came out to share the vocals. Awesome. And when they played "Welcome to Wherever You Are" my heart just stopped. You ever have one of those times when things are just going really wrong and you hear a song that snags you and puts you in a mindset that this too will pass? Well, "Welcome" is one that caught me at the right time in the midst of a hellish stretch a couple years ago and I fell in love with the song, so hearing it Wednesday night was a highlight for me for sure.

After Richie's recent arrest on DUI, I had expected there to be some on-stage tension apparent, but if there's anything going on behind the scenes it didn't show up on stage. Richie got to take lead on "I'll Be There For You" and sounded fabulous. He probably has the better voice than Jon, but Jon's got the star power. You just can't not follow him where ever he is on stage or in the crowd. (Yes, for the second tour in a row, he popped out on one side of the arena and sang a couple of songs out in the audience. And yes, for the second tour in a row I was on the OPPOSITE side of the arena, though this year in the section directly across from where he appeared. Ah, if only.....) And one of the things I enjoy about the show is that Jon KNOWS he's got that star power and knows we know that so plays it up even more.

A few last things to mention -- the stage set up. It was a very cool stage and is open all around so that there is some seating behind the stage. Those seats are moderately obscured by the video screens, but the screens move and expand and contract and are really pretty incredible. The back part of the stage has a screen built into it and it raises and lowers... it's a very cool set up. I'll be able to tell ya what those seats are like next week after Darla and I go back and sit there. Hell, they're only twenty bucks and I can't really complain about having to look at Jon's ass all night...

Set List:

Lost Highway
Born To Be My Baby
You Give Love a Bad Name
Complicated
Runaway
I Love This Town
I'll Sleep When I'm Dead
Blaze of Glory -- w/ Daughtry - Knockin' on Heaven's Door Intro
Welcome To Wherever You Are
Whole Lot of Leavin'
Some Day I'll Be Saturday Night
We Got It Goin' On
It's My Life
Bad Medicine w/ Shout
I'll Be There For You - Richie Vox
(You Want To) Make a Memory
Bed of Roses
Who Says You Can't Go Home
Have a Nice Day
Keep the Faith
Livin' on a Prayer

Encore:
Last Man Standing
Wanted Dead or Alive