September 27, 2008: The Hardest Show Ever

Mountain View, CA
Shoreline Amphitheater

Hi all. It's been a long time since I posted my last Rockin' Road Report. I'm just back from my first Journey show in over 2 years. That seems so weird to say. And so much has happened since I was last at a Journey show, it's really hard to know where to begin.

I guess I need to go back a few months in time first. When the show was first announced, I looked at the date and thought "oh cool, the weekend before my birthday." I expected a fun filled night with my Journey buddies from near and far which would lead into a kick ass week that concluded with the big 4-0. That's what I got, but just not the way I had expected -- not by a long shot.

Hard as it is to believe, but it's been nearly 4 months since the world turned upside down and I lost my dear friend Darla. In a cruel twist of fate, the tickets for tonight's show went on sale on her birthday -- the day before her funeral -- and I got assigned to pick up 12 tickets for her family and close friends. With that many tickets to buy, we wound up with seats in the back section and I had to laugh -- no way would those seats have been acceptable in the past, but being with friends was more important.

After I bought the tickets, I pretty much put the show out of my mind. It was a day in the future that I would deal with when it came. Thinking about it took me to a place I didn't want to go, so I didn't. When we finally reached September, I couldn't block it out any more and the numbness of the summer faded and I began missing my friend more and more. This wasn't how it was supposed to be. This past week has been especially emotional for me. Co-workers asked me if I was going to the show, and I told them I was, but I fully expected it to be a weird experience.

Which brings us to tonight. Got ready for the show as I normally do, but got more phone calls and text messages than normal as we tried to get the logistics worked out who had which tickets and so on. Met up with Cheryl, Charles, and Emerson and headed over to the pre-show party. Thanks for organizing it Frank -- sorry I'll miss your party tomorrow. It was nice to see some old familiar faces among the quite a few unfamiliar ones.

Headed over to the amphitheater in plenty of time, which was good since getting to the parking lot took forever. The band had left after-show passes for Emerson and Telysa (Darla's daughter) so we headed over to will call to pick them up. We were expecting two passes, but when Emerson came back not only did he have four passes, but four tickets! So a HUGE thank you to the guys for that. Cheryl, Charles, and I joined Emerson at the new seats. Unfortunately it mean that two of our friends were sitting alone in our original seats.

So, we headed in and I spent all of Cheap Trick's set visiting with friends. I'm not a huge CT fan and the last time I saw them I didn't enjoy their performance, so preferred to sit it out. Could hear it from where we were and I will say they sounded better than they did the previous time.

I did, however, REALLY want to see Heart. So headed over in plenty of time to get to my seat. As I was heading in, I noticed there was a line for a Meet and Greet for Journey. Uh-oh... what time were our passes for? Emerson had them and he was waiting to meet up with Telysa. Lots of text messaging and calling trying to make sure everything was OK. (Yes, our passes were for after the show.) Unfortunately, this meant I missed the first couple of songs of Heart's set. BIG BUMMER! In any case, in my next life I want to be Nancy Wilson. They were absolutely fantastic. Ann Wilson has one of the greatest voices in rock and roll EVER and she sounded fabulous.

The weird thing about Heart's set, however, was that I started getting choked up at different points. Okay, the brain has definitely gone somewhere else tonight. "These Dreams" nearly had me in tears. So did "Alone," though I suspect that one was more about remembering where and when I was when that song came out. Definitely a sentimental favorite of mine. And once again proving that I like Led Zeppelin songs as long as Robert Plant isn't singing (yes, I know, but ugh his voice grates) I absolutely loved their cover of "Going to California."

Their set ended and now it's time for Journey to take the stage. Lots of thoughts crossed my mind -- not the least of which was that there would be a handful of songs I really wouldn't know the lyrics to. Try as I might, I haven't been able to listen to Revelation much since I got it. Unfortunately right now it's a victim of seriously AWFUL timing and has absolutely nothing to do with the CD itself.

I knew the warm up song was "Back in Black," so when it started I took a deep breath and said to myself "here we go." The guys took the stage and I was on my feet, but oddly weak kneed. Deep breath. They kick into "Never Walk Away" and I'm singing along -- it's the only song I know all the words to due to an insane amount of airplay on KFOG (which is seriously weird!!) But, uh-oh... there's a lump in my throat and I think "Darla would be laughing so hard at me right now." Into "Only the Young" and the tears start welling up. Sigh. That song and "Still They Ride" are ones that have been reminding me of Darla a lot this past summer. Breathe and tell myself to pay attention -- this is the first time you're seeing Arnel and you need to form an opinion not have an emotional breakdown. Still, I wonder if I'll make it all the way through the show.

Thank god for the "Star Spangled Banner." No emotional connection to that beyond the basic patriotic vibe. Have they been playing that all tour? I'm so out of the loop I don't have a clue, but laugh to myself and think "Neal saw the Chronicle yesterday that listed his as one of the best versions of our national anthem!"

I'm able to focus on the show now, and I have to say I was very impressed by Arnel. He's got a fantastic stage presence (though I do wish he'd taken off the hoody way sooner than he did -- he looked like he was rehearsing or a roadie.) The hometown crowd ate up the show and were on their feet through out -- even for some of the new ones. Wow.

I enjoyed the show, though I will admit I wasn't as into it as I have been in the past. Part of that I know is adjusting to another change in the band (they GOTTA paint Jon's piano... black is just WRONG!), but a bigger part is where my head was at through out the show. I couldn't not think of Darla through out and missed being able to lean over and say "he hit that note" or "hey, they're playing 'When You Love a Woman'!" I will say a personal highlight for me was hearing Deen on "Keep on Runnin'." Couldn't believe it when he held the high note! (Though, really, he needs to change the hair!) "Lights" as always got a great reaction and the glow of cell phones waving lit up the night. Laughed to myself at the reaction to "Open Arms." As personally tired as I am of that particular tune, you can't deny the enthusiasm of the crowd. Couple of cool video moments for me included the Sopranos style Journey after DSB and the video they played on the screen during "Wheel in the Sky" was really fascinating.

The after-show was a bit weird as we got shuffled from one place to another and basically it was "here ya go, mix and mingle and see if you find anyone you know." We did get to see Ross and Neal and chatted a bit with Les, Barb, and Miles before being told it was time to leave. Did wish I'd had the opportunity to tell one of them thank you. Escape has been in heavy and frequent rotation in my car these past four months. It's always been that candle in the darkness for me and has now proven it's bullet-proof and can withstand any dark time for me. There aren't enough words to express how important that is. Amazing that 27 years on it still provides that emotional lift I need when I need it. I will forever love this band for that, regardless of any thing else that may happen over time.

On the drive home I thought a lot about the past 10 years. Almost 10 years ago to the day I flew off to Michigan to see Journey live for the first time. Then as now I was seeing a new singer. Then as now I got an opportunity to go backstage and meet the band. A lot has happened in between though, and I have so many incredible memories that I wouldn't trade for anything in the world. I just wish Darla had been here to share this one.

July 15, 2008: Here Come the Police!

Mountain View, CA
Shoreline Amphitheater

Spending the morning recovering from last night's Police gig at Shoreline. What a fun night!

When this final leg of the tour was announced, I shot an email off to my Police-obsessed cousin in LA to see if she wanted to come up here or me to head down there to catch the show as we'd chatted about catching them together should they come back to California. We decided to do the Bay Area gig, and I picked up a pair of tickets through the Fan Club. Wound up with pretty good seats -- about 15 rows back on the far aisle (stage left). When we got to our seats my cousin was totally thrilled. I done good!

So my cousin arrived yesterday afternoon and we hung out and visited until it was time to head down to Shoreline for the show. We timed everything perfectly, arriving in our seats a few minutes before Elvis Costello took the stage. He actually came out a few minutes before the 7:30 start time and played for about an hour alternating between familiar hits that I knew and other tunes I wasn't familiar with. When he started up, we were nearly blasted out of our seats. Shoreline did something to their sound system about two years ago and now the low end of the sound is just physically assaulting. You can feel the bass and drums in your spine. I'd hoped they'd fixed it since I was last there, alas they hadn't so it was a bit of challenge to sit through. He put on a pretty good show and I was impressed with his guitar playing, though there were a few points when the sound system just made it hard to listen to. When he got to "Allison" there was a sudden rumbling in the crowd and I looked up and out walks Sting to sing along. Took a moment to recognize him as he'd grown a beard since I'd last seen them. Uh... not a good choice!

We ducked out after that for a break between sets and to meet up with a good friend of my cousin's. We stood around chatting for a bit thinking we had a while before the Police took the stage, so we were caught by surprise when at 8:45 we could hear the opening of "Message in a Bottle," and it was a mad dash back to our seats to make sure we didn't miss anything else.

After seeing the Police reunite last summer and catching two of their earliest gigs, I was really curious to see how the show had changed in the intervening 13 months. Add in that the two shows I saw last year were extremes in size (about 4,000 people at the fan club show and about 60,000 people at the Oakland Coliseum) having a more "normal" size of 20,000 people was something I was looking forward to. The crowd vibe was average, and at least everyone was on their feet throughout the show. The guys, however, wow... could really see the difference a year's worth of touring had made. While both the shows I'd seen at the start of the tour were excellent, there was still a little bit of that "well, it's been 25 years since we last played together so let's see what we're doing" vibe. There was a lot more conscious interaction. This gig... it just flowed from one thing to the next.

As with the previous two shows, I was completely blown away by the sheer musicianship and that such an incredible sound can come from just three guys. Amazing. The set list was slightly different from the ones I saw last year, but I think only "Demolition Man" was added. There were a few missing, but I'd have to look at the set lists from last year to remember what the differences really were. Trying to pick a highlight of the evening is tough because, honestly, there wasn't a bad song among them. It was a real treat to get to see this band again and worth every penny of the ticket price I paid (and ouch what a ticket price!)

The show ended much too quickly -- about 10:15 or so -- and it was time to head back out, tired and stone deaf. Totally worth it! I brought my camera in hoping that 15 rows back would allow for some decent pictures. Eh, they've turned out so-so (and no where NEAR as good as the ones I took at the Fan Club show last year.)

June 19, 2008: I'm Sixteen All Over Again

San Jose, CA
HP Pavilion 

 

 
It's September, 1985, a week before I am about to begin my senior year of high school and a month before my birthday. I'm 16 years old and have finally, FINALLY, convinced my parents to let me go to a concert. My best friend and I join a couple of other friends and head out to the Oakland Coliseum and attend one of the last of the legendary Days on the Green -- a triple bill show. We're not there for Katrina & the Waves or the Pointer Sisters. No, our sole mission is to see Wham! and squeal and cheer and ogle George Michael. It was a great way to end my 16th summer.

It's early 2008, and I use an Amazon.com gift certificate I got for Christmas to buy some CDs. I have two wish lists -- one of newer items I have public for friends and family to use, one of older items I need to replace in my collection. As with all gift certificate purchases, I pick one item from the public wish list and use the rest to pick up a few replacements. It's a random selection -- whichever CDs are the cheapest get bought. Period. Thus, I wind up replacing my copy of Make It Big -- the big Wham! album of 1984. I laugh at myself as I haven't listened to Wham! since high school, but when I pop it in the car after it arrives I am amazed at just what a great pop album it really is. It's not going to change the world, but it's well crafted pop and this is good. This experience is immediately followed by falling in love with a new TV show called Eli Stone. It has an entire sub-plot that is centered around George Michael tunes. If you've seen it, you know what I'm talking about, if you haven't, check it out at ABC because it's really a cute show and much too hard to explain here.

So being suddenly inundated with George Michael here there and everywhere, when his first US tour in 17 years was announced, well, I just HAD to go. The tickets were WAY more expensive than I expected them to be, so I settled for getting seats in the upper deck -- something I rarely do -- and a co-worker and I headed out to the HP Pavilion in San Jose last night to take a trip back in time. We dashed to the show after a quick dinner to make sure we were in our seats because the ticket said in great big letters "NO OPENING ACT. SHOW STARTS PROMPTLY AT 8 P.M." Wellll... the first part was true at least. 8:00 comes and goes and it's 8:30 by the time the house lights go down and the incredible stage lights up and we hear the music begin. Up to our feet cheering. I am suddenly 16 again.

I have to say, I was completely blown away by the show. George Michael has to have the best voice I have ever heard live. He hit all the notes in a wide range and the depth and warmth ... wow... I just melted in my seat more than once.

Incredible. Since it'd been 17 years since his last tour, he wisely stuck to a set list that featured songs from Faith and Listen Without Prejudice along with a handful of songs from his Wham! days. There were a small handful of songs I didn't know, but for the most part a few notes in I usually recognized the song (with help from having spent the previous two days listening to Faith and Listen Without Prejudice.) Still, I was amazed at how quickly I recognized a couple of other tunes I literally have not heard since 1986. One of the early songs of the set was "I'm Your Man" from the last Wham! album and up on the video screen was snips from all the Wham videos. I can't remember if that was the ACTUAL video for "I'm Your Man," but parts of that video were there. But the second everyone saw the girls from the "Wake Me Up Before You Go-Go" video -- screams and on their feet. And damn if I didn't know all the words! I can't remember what I had for dinner two nights ago, but I can remember all the words to "I'm Your Man"... go figure!
 
I need to take a moment here to try to describe the stage. It featured a HUGE video screen that ran from the rafters down to the stage and flowed over the edge in a soft curve. This was the center part of the stage where George sang a top lights and images and all manner of effects and looked AMAZING from my perch in the upper deck. His band was set at the back of the stage to either side of this huge screen in a 3-level platform. Definitely a "backing" band. He also featured 6 back up singers who were amazingly soulful. Each side was flanked by your typical video screen that ran from top to bottom and afforded us up above the ability to see what the man looks like. A little heavier than back in the day, but aren't we all? Still lookin' good. Siiiiiggggghhhh.... His boyfriend is a lucky guy!

Anyhoo, back to the show. It was well paced, interweaving slower, softer tunes with more up-tempo dance songs and kept the audience engaged throughout. I didn't keep a set list, but a few personal highlights for me included "Everything She Wants" (lots of audience participation), "Hard Day," "Father Figure," and an absolutely AMAZING cover of "Roxanne." Holy smokes. I've seen Sting sing that song many times, including, finally, with the Police last summer. What George did... wow... totally changed it around to a slow jazz number that was sultry and sexy and sad all at the same time. He was backed on the video screens by a video he said was shot a few years ago in the red light district of Amsterdam. Compelling images to go with a compelling performance.

There was a 20 minute intermission about an hour into the show and when he returned it was to "Faith" which had everyone up and singing along again. I kept running through my head what songs he might sing and which he MUST sing and was pretty well rewarded. The main set closed out with "Careless Whisper" which again had everyone up and singing along. I had my camera with me and while I doubt any of the pictures will turn out much (other than to show off the dramatic stage) I'm hoping the video I shot during this song turned out OK. -- or at least that the sound does, the images are gonna be blurry crap as I tried really hard not to sway along too much.

The encore opened with "Praying for Time," another of my favorites and he finally closed out with "Freedom" (the 1990 version, not the 1984 version) and again we were all singing along. There were only two set list disappointments for me -- no "Wake Me Up Before You Go-Go," which I can understand, and no "I Want Your Sex" which I don't understand.

It had better not be another 17 years until he comes to town again and next time -- I'm buying the expensive seats!

December 6, 2014: This concert took place two and a half weeks after my JPP partner in crime Darla Ellis passed away unexpectedly from an inter-cranial bleed. I was still numb with shock and grief and other than the folks in my department, I hadn't told anyone at work about the loss of my dear friend. While waiting for the show to start, Josie, my co-worker who had come to the concert with me, asked me something about Darla (probably along the lines of "why couldn't she come tonight?" as she knew Darla was one of my concert buddies.) I told her what had happened and at various points through out the night I would think of Darla and how she would have loved the show. I've always found comfort in music and this show was a perfect escape from what had been an awful few weeks during an overall awful year.

January 1, 2017 Edit: Since George Michael's death on Christmas Day 2016, I've been thinking about this concert quite a bit and decided to add the few photos you see and go hunting for the set list, which I've included below. (Whether or not it's 100% accurate, I'm not sure.) I'm crushed that I'll never get to buy those expensive seats, but so thankful I settled for the "cheap" seats.

Courtesy of setlist.fm

Waiting
Fastlove
I'm Your Man
Father Figure
Hard Day
Everything She Wants
One More Try
A Different Corner
An Easier Affair
Too Funky

-- intermission --

Faith
Spinning the Wheel
Feeling Good
Roxanne
Kissing a Fool
Amazing
Flawless (Go to the City)
Outside

Encore:
Praying For Time
Freedom '90

April 5, 2008: Jersey Boys -- Night Two

San Jose, CA
HP Pavilion

So, my busy concert week continued last night with Bruce Springsteen coming to town for his third show in six months on his current Magic tour. I'd caught his two shows in Oakland back in October and wasn't going to miss the return trip to San Jose this month. For the first time since the first time I saw Springsteen back in the early '90s, I actually had someone to go to the show with. Cheryl joined me for her first experience at the Church of the Boss.

There's been some crazy family stuff going on the last couple of days and I wasn't sure I'd make it to San Jose in time to meet Cheryl, but not only did I arrive in time, I was actually a little bit early so I could go off and grab myself a much needed margarita. Alas, I knocked it over when we got to our seats, spilling about $6.00 worth of my $9.00 drink all over the arena floor. Damn.

I knew from the shows in October that Bruce and the band wouldn't hit the stage at the stated 7:30 show time, but would come out closer to 8:00. It was about 8:20 by the time they actually took the stage, but as always it was worth the wait. Our seats were behind the stage, but dead center behind the stage. This gave a great view of not only the band (albeit from behind) but a great view of the crowd. You can see what kind of rush that can give a performer -- staring out at 20,000 people singing along with every note. I had warned Cheryl that sitting down would not be an option -- Bruce won't let you!

While not entirely true, as there were a couple of slower songs where the crowd with seats did sit, for the most part it was 2 hours and 15 minutes of standing up, singing along, and rocking out. In my not so humble opinion, no one on the planet puts on more consistently exciting, energetic, and flat out fantastic shows than Springsteen -- and that's with or without the E Street Band, though those shows are the peak performances. The man knows how to put on a rock show and you can see where those other Jersey boys I saw this week picked it up! I only wish I'd been able to see him back in the days of the 4 hour concerts. Hell, I suspect that even now, at 57 he could go that long. The man just has so much energy and obviously loves to perform.

With a catalog of songs like he has, I don't know how Bruce manages to pick out a set list, so it's a good thing that he's been changing it up a lot on the tour and never playing the same set two nights in a row. The set he played last night was different from either of the shows I saw in Oakland in October with only a handful of repeated tunes other than the new tracks from Magic. Like he did in October, he treated his new tunes as he did the older more familiar tunes and woe betide you if you didn't get up off your feet and sing along. The reception to the new songs was better this time than in October as the album has been out for a while (as opposed to 2 weeks) so more people have had a chance to hear it. Still the sing along on "Long Walk Home" (I think) wasn't quite the same as it was for "Badlands" or "Born to Run."

The band wasn't quite complete as Patti had gone home to be with the kids and Danny Frederici is still out recovering from cancer treatment. But Clarence Clemons, who's had both hips replaced, was much more mobile and like his usual self this time around than he was in October. He still sat down once and a while (and as a rule of thumb, if Clarence is sitting, it's okay to sit) but he seemed to be moving around much better than he was six months ago. Clarence is the secret weapon of the E Street Band, so it's good to see him in good health.

It's always impossible to pick a high point of a Springsteen show -- the whole show is a high point -- but a few standouts for me included playing "Trapped" which is a song I've loved for years that he performed on the Born in the USA tour and was only released on the We Are the World album for the longest time until he included it on 18 Tracks a few years ago. There was an online vote on KFOG for fans to pick a song for him to sing, which was next to impossible to choose from, but I'd picked "Trapped" and when the opening note hit I was on my feet cheering. There were several points in the show where Bruce would pull a sign out of the crowd and that's the song they played. Looking at the set list on his website, none of them were planned for the set, so the show was changed on the fly. Awesome!! It meant a couple of planned songs got dropped from the set, but it was all good -- his catalog is that deep and that incredible. The song that actually won the on-line vote was "Fire" which was a treat to hear (though I must admit I still have to work really hard to get the Pointer Sisters version out of my head especially the locally modified line "I'm driving in my car, I turn on KFRC.") During the encore, Bruce pulled a guy out of the audience who had written "Glory Days" on his forehead -- and then promptly launched into the song. And then followed that up with another USA track "Bobby Jean" which I've adored for over 20 years.

I left the show exhausted and renewed and wishing there was a second show to go to. Until the day he stops touring, I will never ever miss one of his shows if I can get a ticket. I'm hoping that's many many many years from now...

Set List:

Out in the Street
Radio Nowhere
Lonesome Day
Gypsy Biker
Something in the Night
Magic
Trapped
Reason to Believe
Prove It All Night
She's the One
Livin' in the Future
The Promised Land
Fire
Incident on 57th Street
Devil's Arcade
The Rising
Last to Die
Long Walk Home
Badlands

Encore:
Detroit Medley
Born to Run
Glory Days
Bobby Jean
American Land

April 2, 2008: Jersey Boys -- Night One

San Jose, CA
HP Pavilion

So, as my 2008 concert season commences and I've hit a brief busy stretch of shows and knowing it will be another 6 months until I will have an RRR for Journey, thought I'd share with y'all...

We'll begin with an admission... I came late to Bon Jovi fandom. I'll admit it -- I couldn't get past the hair. I thought they looked ridiculous (something, time has proved, I was right on) and all I could see was Jon and Richie with perm rods in their hair. As anyone who has ever gotten a perm can attest -- you look ridiculous sitting under a hair dryer with perm rods in your hair. And these were "tough guy" rockers, well you get the picture... It wasn't that I didn't find the songs catchy and entertaining, I just couldn't take them seriously. It wasn't until Keep The Faith came out (and they'd cut their hair and gotten rid of the perms and ridiculous clothing) that I actually purchased a Bon Jovi CD. Still, they were just a band that was in the collection of many many others, and I wasn't particularly dying to see them live. A few years ago now -- I'm guessing about 2000 when Crush came out -- they came through town on tour. I'd picked up the CD and liked it and Cheryl and I had one of those "I'll go if you wanna go" conversations and picked up a couple of tickets. WOW. We were sold -- great great show -- and since that time, I've caught this band of Jersey boys every time they've passed through town.

Leap forward in time to last Wednesday night in San Jose. I had dinner with Darla and Emerson and then headed over to the arena to meet Cheryl. We were all eager to arrive on time to catch Daughtry opening. While I'm not one who watches American Idol and Daughtry doesn't get played on the primary station I listen to, I'd heard a couple of songs and enjoyed them so I was curious. Loud rock and roll -- good for the soul. My familiarity with the songs being so minimal, I just sat back and took it in. For the first time in a very long time I was watching an opening band who will be around beyond next month and based on the fact that the arena was over half filled when they started and nearly full by the time they finished, I'm sure lots of other people felt the same way. While I'm not sure I'm going to run out and pick up the CD, I enjoyed the set.

So on to our headline act. When Lost Highway came out last summer, not only did I pick it up, but I had pre-ordered it so I could get it in my hot little hands the day it came out. Oh no -- Bon Jovi's gone country.... Yeah, right. I fell in love with the CD instantly -- it's the same themes with different instrumentation, softer acoustic instruments and a pedal steel. I was curious to see how the new tunes would fit in with their usually raucous set. Some songs worked better than others. "I Love This Town," for example, was a song I was sure would fit in fine, but they didn't kick it into full gear as I thought they might. It still sounded fantastic live, but it needed a bit more oomph to it I thought. (Though I did have to laugh as the video screens flashed through the logos of the various sports teams -- only Jon Bon Jovi would think to include the San Jose Sabercats, the local Arena Football team. They don't get a whole lot of attention.) But "Whole Lot of Leavin'" and "You Want to Make a Memory" worked well with some of the more familiar ballads, and "We Got It Goin' On" was just meant to be sung in front of 20,000 people (which excuses some of the seriously lame lyrics -- I mean "bangin' and sangin' like the Rolling Stones" -- really?) Like some other Jersey boys I saw last night (Bruce Springsteen & the E Street Band, stay tuned) Bon Jovi aren't afraid to throw in newer tunes among the old standards and SELL them to the audience so that the crowd stays on their feet and rocks out with the new music, even if they aren't as familiar with it as "Livin' on a Prayer."

A couple of highlights -- the intro to "Blaze of Glory" was a verse of "Knockin' on Heaven's Door" which is probably one of my all time favorite Dylan classics. That song got even better when Chris Daughtry came out to share the vocals. Awesome. And when they played "Welcome to Wherever You Are" my heart just stopped. You ever have one of those times when things are just going really wrong and you hear a song that snags you and puts you in a mindset that this too will pass? Well, "Welcome" is one that caught me at the right time in the midst of a hellish stretch a couple years ago and I fell in love with the song, so hearing it Wednesday night was a highlight for me for sure.

After Richie's recent arrest on DUI, I had expected there to be some on-stage tension apparent, but if there's anything going on behind the scenes it didn't show up on stage. Richie got to take lead on "I'll Be There For You" and sounded fabulous. He probably has the better voice than Jon, but Jon's got the star power. You just can't not follow him where ever he is on stage or in the crowd. (Yes, for the second tour in a row, he popped out on one side of the arena and sang a couple of songs out in the audience. And yes, for the second tour in a row I was on the OPPOSITE side of the arena, though this year in the section directly across from where he appeared. Ah, if only.....) And one of the things I enjoy about the show is that Jon KNOWS he's got that star power and knows we know that so plays it up even more.

A few last things to mention -- the stage set up. It was a very cool stage and is open all around so that there is some seating behind the stage. Those seats are moderately obscured by the video screens, but the screens move and expand and contract and are really pretty incredible. The back part of the stage has a screen built into it and it raises and lowers... it's a very cool set up. I'll be able to tell ya what those seats are like next week after Darla and I go back and sit there. Hell, they're only twenty bucks and I can't really complain about having to look at Jon's ass all night...

Set List:

Lost Highway
Born To Be My Baby
You Give Love a Bad Name
Complicated
Runaway
I Love This Town
I'll Sleep When I'm Dead
Blaze of Glory -- w/ Daughtry - Knockin' on Heaven's Door Intro
Welcome To Wherever You Are
Whole Lot of Leavin'
Some Day I'll Be Saturday Night
We Got It Goin' On
It's My Life
Bad Medicine w/ Shout
I'll Be There For You - Richie Vox
(You Want To) Make a Memory
Bed of Roses
Who Says You Can't Go Home
Have a Nice Day
Keep the Faith
Livin' on a Prayer

Encore:
Last Man Standing
Wanted Dead or Alive